Treabar

Author: Treabar

  • Feel the fragility and tenacity of life from the knocking of the popcorn pot

    Ju Fufu stood in the narrow alley, holding the old popcorn pot tightly in her hand. The fire jumped from the bottom of the pot and reflected on her pale face, as if it was a cruel judgment. The sound made when the lid of the pot was knocked was not just a simple ding-dong, but more like the sound of life being knocked by fate. The first three knocks were powerful and rapid, like the impulse and stubbornness of youth, unwilling to compromise, unwilling to surrender; the fourth knock was dragging and heavy, like a sigh after life was ruthlessly tortured.

    The popcorn in the pot burst one by one, and her shadow flickered in the firelight, reflecting her unspeakable pain and struggle. Those broken popcorns are not just food, but also fragments of her life that have been broken and reassembled again and again. Although Ju Fufu’s movements are agile, they reveal a trace of fatigue and helplessness. Every time she rotates and dodges, she is fighting against fate, but she is extremely fragile.

    She has scars on her body, some deep and some shallow, recording the pain she has suffered. They are not only physical injuries, but also spiritual scars, and the marks left after life hits her again and again. No one knows how many failures and setbacks she has experienced, she can only endure the pain and move forward again and again. Each wound is like a seal, locking her tightly, but also making her live more firmly.

    When her support skills are activated and her helping hand is extended, it is not only a transmission of power, but also a relay of life. She tried her best to help others, but she didn’t know that she was already exhausted physically and mentally. Her counterattack and support are an unyielding struggle against life and a belief that she still persists in adversity. The popping sound of the popcorn pot constantly reminds her that she is still alive and can continue to fight.

    The release of the finishing move is the blooming of the flame, the burning of life at the limit. Popcorn splatters everywhere, and Ju Fufu looks both strong and fragile in the firelight. The flame brings warmth, but also burns. Her figure swayed in the firelight, like a flower blown by the wind, tenacious but likely to wither at any time.

    After the battle, the pot lid returned to calm, and the flames gradually went out. Ju Fufu’s back disappeared in the darkness. No one remembered her name, and no one knew what she had experienced. But her story, like the knocking sound on the pot lid, silently shook every life. Her suffering and struggle are a microcosm of the lives of countless ordinary people and a heavy burden given to them by the times.

    This world is like a popcorn pot, sometimes exploding hotly, and sometimes cooling down and silent. Each of us is knocking on our own pot lid, trying to resist the storm of life, trying to find the meaning of survival in the chaotic flames. Ju Fufu’s story is not just her struggle, but the resonance of all those who struggle with fate.

    The fragility and tenacity of life are infinitely magnified in those knocks. The sound of the popcorn pot is the cry of reality, the whisper of suffering, and the proof of the tenacity of human nature. We cannot choose our fate, but we can choose how to shine in the flames of fate.

    Ju Fufu and her popcorn pot tell us: life will hurt you, but you must be strong; fate will make you helpless, but you must be tenacious. Only after experiencing the baptism of fire can we truly appreciate the weight and value of life.

  • Explore the secret path of Feng Jin’s growth in the dust of the Xingkong Railway

    Feng Jin, this name is as light as the wind, but it hides a dusty story. She will appear on the distant and mysterious Xingkong Railway, an absurd and real world. There is no fairy tale here, only wind and sand and rails. Feng Jin’s growth is like the rusty hoe in the hands of farmers, heavy and full of power.

    Her growth is a storm, a seed buried deep in the soil struggling to break out of the soil in the wind and sand. Those so-called “fear crushes flesh and blood” are like the land that has been chopped hard by a hoe in the field, blood and soil mixed together, bitter and real. Feng Jin’s flesh and blood were trampled by this fear, but she did not fall, just like the land will be moistened by rain no matter how dry it is.

    Fear is not a simple fear, but a life’s alertness to the unknown, and a silent lament left by every step of walking alone in the wilderness. Feng Jin’s fear was silent. She did not cry out loudly, but her body and soul trembled violently. This fear was part of her fate and accompanied her every growth.

    And the feeling of “courage tearing the chest” was like the helplessness of farmers who worked year after year but could not get a good harvest, and the pain was mixed with persistence. Feng Jin’s courage was not innate, but was tempered little by little in the years of hardship. It was like the earliest buds in spring, fragile but stubbornly breaking through the frozen land. Her courage was a desire for the future, a resistance to fate, and a silent cry.

    The phrase “glory baptizes the body” hides the dust and blood on Feng Jin’s body. Her body has experienced countless wind and frost, but it still stands upright. Glory is not a flashy decoration for her, but a little dignity and self-identity in life. Just like the old locust tree on the land, it is still deeply rooted and lush in the wind and frost. Feng Jin’s glory is her persistence that she has never given up after experiencing pain, and it is a rare warmth in her life.

    Among the materials of growth, “Thought Seed”, “Manas Sprout” and “Alayahua” are like seeds buried in the soil. She pondered the meaning of life over and over again, and cultivated the fields in her heart over and over again. These names, like the agricultural proverbs handed down by the older generation, contain a deep understanding of life. Her growth is not an isolated individual behavior, but a dialogue with the world and time.

    “The legacy of the same wish” and “The footprints of fate” are the history she carries and the ballads on her wandering road. They record Feng Jin’s past and the changes in the world. Fate is like that endless railroad track, and Feng Jin steps on it step by step. She is both a traveler of fate and a witness of fate. She measures hope and loss with her own footsteps.

    Through these materials, what we see is not cold numbers, but a picture of a living life struggling in the wind and sand of reality. Feng Jin’s story is a sigh in the wilderness and an endless love for life on barren land. Every breakthrough she makes is like the land watered by spring rain, giving birth to new vitality.

    Her exclusive light cone “May the rainbow light stay in the sky forever” is a rainbow that cuts through the sky, and a distant light in the wilderness. It not only illuminates her way forward, but also illuminates those who, like her, are looking for hope in hardship. The light cone represents faith, represents the persistent pursuit of the future, and is the eternal flame in Feng Jin’s heart.

    Feng Jin’s growth is like an old country song, simple and profound, with the fragrance of the soil. Her story has no gorgeous words, but it is like the path in the field, tortuous and real. She walks on the Star Dome Railway, with pain and hope, and takes a path of her own.

    There are no shortcuts on this road, only solid footprints step by step. Those trace materials are not only equipment in the game, but also a witness to her life, and a mark of her from fear to courage, from struggle to growth. Feng Jin is like an ear of wheat swaying in the wind, fragile but full of vitality.

    On this desolate Star Dome Railway, Feng Jin’s story is like a silent ballad, singing the simplest tenacity and warmth in the world. She tells us: no matter how harsh the fate is, there is always a ray of light to guide us forward. Feng Jin’s growth is the deepest tribute to life and the most sincere expectation for the future.

  • Emotions and loss are intertwined, and the lost years flow in constant silence

    In those years, I always believed that I had infinite patience and understanding for life, and I firmly believed that I could accommodate all the light and shadow of the world. I also always believed that the relationship between people can be maintained by a tiny emotional bond, and that a little effort and time can be used to melt the barriers and move towards spiritual contact. However, fate always seems to like to play jokes, and finally made me realize that many things are holes that can never be filled, and those times that were once easily crossed will eventually become so far away.

    At that time, I often walked alone on the streets of this city, with all kinds of thoughts in my heart. The lights of the city kept flashing, and I could vaguely see the hurried footsteps of pedestrians on the street. Occasionally, when I found a familiar face in the corner, an inexplicable sense of familiarity would surge in my heart. However, I know that the distance between people is much longer than I imagined.

    At that time, I had a beautiful love affair. We met in a spring, when everything was revived, and there was a slight fragrance of flowers in the air. Her name is Lin Lin, and I didn’t feel anything special at first. It was only when I looked back at her inadvertently again and again that I found that her figure was always swaying in front of my eyes, like a gentle bird, always gently passing through my sight, but never deliberately. Her eyes are deep, as if she can see through everything, but she always reveals a sense of indifference, as if her world is separated from me by a thick layer of glass, untouchable.

    She speaks very little, and every time we meet, there is always a bit of silence in her eyes, but there is a gentleness that I can’t resist. She is not like those talkative girls, who don’t like to express their emotions with words, but prefer to use a silent companionship, as if two people together don’t need too many words. What she brings to me is an indescribable peace, as if she is an existence that can never be touched, both close and distant.

    We began to have more and more contacts, occasionally walking in the park in the evening, and occasionally sitting in a cafe in a quiet afternoon. Her existence makes me feel at ease, as if she is the important part of my life and the warmth I am pursuing. However, just as I was immersed in the warmth of this emotion, I began to feel a little uneasy. This uneasiness did not come from the outside world, but from her eyes, or rather, from the close yet distant relationship between her and me.

    Her eyes were always cold, and occasionally she would talk about some unimportant topics, but I always felt that there was some elusive silence hidden in her words. I gradually understood that it was not that she had no emotions, but that she buried all her emotions deep in her heart and did not let anyone touch them. I thought that if she could open her heart to me, I would definitely understand her loneliness and pain, but she never gave me this opportunity.

    Sometimes, I would see a deep fatigue in her eyes, as if she had carried too much of the past, and the past that I had never approached had long become an untouchable scar for her. I know that she has never completely let go of the pain she had in the past, and she just tried her best to keep a seemingly stable life for herself in this world. She didn’t want me to be a witness to her past pain, because she was afraid that once she started to talk, all the pain and memories would burst out.

    My love for her began to become complicated. It was not like the pure love I had when I was young, but mixed with sympathy for her, awe of her deep heart, and even helplessness of her indifference. It was not that she did not love me, but she was afraid to give herself to anyone, afraid that once she gave herself, she would be abandoned at some point in the future. She had experienced too much pain, so much pain that she had to build a thick wall to protect herself tightly.

    What I wanted to give her was a kind of comfort and protection, but she didn’t seem to need it. She put me on the edge of her life and never let me really enter her world. Every time I tried to get close, she flew away alertly like a wounded bird. My heart gradually became heavy, because I knew that I could not change her heart, nor could I break her insurmountable solid defense line.

    In the end, we still separated. That summer, with some regrets and unfinished emotions, we each went in different directions. I no longer took the initiative to contact her, and she did not reply to me. We were like two stars that met but were destined to miss each other, passing by each other, but could never meet again.

    Sometimes, I think of her and the quiet time we spent together. Her eyes and her smile have become the softest part of my memory. She gave me an emotion that cannot be expressed in words, but made this relationship so far away. I can’t blame her. After all, there is an untouchable place in everyone’s heart. I may never be able to enter her world and truly understand her pain and hurt.

    This relationship eventually became a blank in my heart that can never be filled. Whenever I think of her, there will be an unspeakable loss in my heart, as if the love that has never been obtained is always lingering in my heart and cannot be let go. In this life, perhaps some people are destined to be passers-by, and we can only quietly miss and linger in the endless years.

  • Discussing the dual shackles of virtuality and reality in modern society from the acquisition of Xiakong materials

    Speaking of what games young people play today, some people may think that this is just a boring pastime, or even an absurd act of escaping reality. However, when we take a closer look at the various materials required for the five-star resonator “Xiakong” in the game called “Mingchao”, we will find that there are hidden worries of an era and the shadow of modern society.

    “Xiakong” needs to break through, first of all, it must have “low-frequency tidal eclipse sail core”, “medium-frequency tidal eclipse sail core”, “high-frequency tidal eclipse sail core”, and then “full-frequency tidal eclipse sail core”. Listening to this name, although it is full of technological sense, it is essentially just a game symbol stacking virtual numbers. Not to mention those strange “burning phosphorus bones”, “golden wool”, “containing impure crystal phlogiston”, all kinds of names are full of mysterious mystery, as if to let players gain some sacred power in the virtual world.

    But if you think about it carefully, the way to obtain these virtual materials just reflects the cruelty of real life: if you want to get the “Burning Phosphorus Bone”, you must fight desperately with the “Sighing Ancient Dragon”; if you want to get the “Golden Fleece”, you have to search everywhere in the game, and even limit yourself to buying 15 per week; if you want to “contain impure crystals and phlogiston”, you have to participate in limited activities – this difficulty is not like easy fun, but more like real labor.

    How ironic is this? Real life is already tiring enough, and these young people are “working” again in the virtual world for the seemingly glamorous “Xiakong” role. Behind it is the invisible consumption of time and the virtual satisfaction bought with money; and this virtual satisfaction reflects the helplessness and difficulties of many people in real life. In other words, the game is nothing more than a reflection of reality, a substitute and compensation for all kinds of dissatisfaction in reality.

    What’s even more ridiculous is that for these materials, players have to “recharge” frequently in order to quickly obtain resources. The 22% discount on Treabar.com makes recharging seem cost-effective, but in fact it tempts people into a trap of constantly spending money. As digital currency circulates, many players have unknowingly become gears in the capital machine. Under the illusion of economic independence, capital exploits young people’s time and emotions.

    The growth of “Xiakong” depends on this endless accumulation and recharge, just as countless young people in reality are forced to work hard and work overtime in exchange for a little unstable “success” and “recognition”. Virtual characters are very similar to the ideal self in reality, which is a vision that cannot be easily realized. Therefore, people are willing to devote themselves to this virtual labor in order to get a little comfort.

    However, this virtual satisfaction does not really solve the problem. On the contrary, it makes people more and more lost. Real life is thrown behind and becomes a mechanical process of continuous recharge, monster swiping, and collection. Games have become an anesthetic for modern society, not an antidote.

    On a deeper level, the acquisition rules, storage channels, and reward mechanisms behind the game materials all reflect the inequality of power and resource distribution in modern society. The seemingly mysterious names of “Ancient Dragon of Sighs”, “Lina Xi Tower”, and “Wheel of Fate” in the game are actually metaphors of the system and insurmountable barriers. Only a few people can break through quickly, while the vast majority can only consume their energy and money.

    Behind these numbers is a contest of time, money, and energy, and a reflection of the virtual economy on the real social order. Young people are addicted to the cultivation of “Xiakong”, which is nothing more than trying to find a sense of control and self-realization in this game.

    However, when they look up from the screen, they are still greeted by the cold reality. The virtual growth of the game cannot replace the change of reality. As Mr. Lu Xun said: “Hope is attached to existence. If there is existence, there is hope. If there is hope, there is light.” But when hope is only placed in the virtual world, how real is that light?

    Therefore, we have to reflect: Why does contemporary society allow young people to only find identity and power in the virtual world? Does the lack of education, economy, and culture make them nowhere to tell and nowhere to realize? If these problems are not faced squarely, the game will eventually become an illusion that makes people lose themselves, rather than a real paradise.

    The list of materials for “Xiakong” may be just a detail of game design, but it inadvertently exposes the various difficulties of modern society. Only by understanding the social reality behind this can we truly help young people break free from the double shackles of virtuality and reality and embrace a more real and dignified future.

  • The struggle of human nature and the impermanence of fate can be seen from the complexity of the characters of Mingchao Xiakong

    Speaking of the game “Mingchao”, Xiakong’s material requirements are so complicated that it is outrageous. Players run around in various dungeons every day, picking up various low-frequency and high-frequency tide erosion sail cores, snatching the rare burning phosphorus bones, as if they are trapped in an endless cycle. It seems to be just the cultivation of the virtual world, but it is very much like the days we live, the endless struggle, and the future that can never be grasped.

    There are many types of materials in the game, which are progressive, just like the level test in life. Low frequency, medium frequency, high frequency, full frequency, these layers of divisions are like people accumulating experience and suffering setbacks day by day, and they are eager to transform into a better self. But this road is not easy. Not only are the materials rare, but they are also limited in purchase and quantity. If you want to improve quickly, you must invest a lot of time and energy.

    This reminds me of the suffering and labor day after day. We are all running for survival, as if the players in the game can never be satisfied with the status quo and are always bound by various materials. The so-called “Golden Fleece” sounds like a sacred and inviolable treasure, but you can only buy a little bit every week, and the restrictions are so many that it drives people crazy. This “limited” is a reflection of reality, a limitation of life, and a cruel contest between dreams and reality.

    Even more heartbreaking are those special weapon materials, such as the design of shackles. Shackles, this word is a symbol of chains in reality, symbolizing bondage. But the game designer actually used it to represent the key props for upgrading weapons, as if to tell us that if we want to be strong, we must first accept bondage. It’s very similar to people’s lives. They want to be free, but they are firmly locked by invisible responsibilities, pressures, and systems, and have nowhere to go.

    And those crystallized phlogists, from the roughest to the purest, upgrade layer by layer, which reminds me of the purification and suffering of life. Players keep brushing in the “Condensate Field·Confession Abyss” copy, as if they are confessing and trying to purify their souls. However, in reality, how many people can really get rid of the filth in their hearts? We use work and busyness to cover up anxiety and confusion, but we can never be completely free.

    “Iris Blooms Day”, this name is poetic, but it can only be obtained through the “Wheel of Fate” challenge, which has a profound meaning. No one can escape the cycle of fate. Failure, setbacks, and rebirth, like the weekly challenges in the game, are always repeated and always bring tests. We are all struggling in the cycle of life, like irises, trying to bloom in the wind and rain.

    The recharge system and discount code are undoubtedly the embodiment of game business and the epitome of consumption and value in real life. In order to get better equipment, players have to pay real money. Isn’t this a microcosm of modern society? People work hard and invest more time and money for a better life, but their sense of happiness seems to be getting less and less. The payment mechanism in the game is very similar to the class barriers in reality, which restricts people’s freedom and choice.

    There is also the “Stuffed Meat Tofu” prop, a tool to improve the efficiency of material drops. It seems insignificant, but it makes people feel anxious and anxious. Players want to grow faster and save time and effort, which is like our pursuit of efficiency in reality. The fast-paced life makes people exhausted, and efficiency becomes the only life-saving straw. However, true freedom is getting farther and farther away.

    Xiakong’s material system is the soul of the game and a reflection of the spiritual dilemma of modern people. We struggle to pursue growth in the virtual world, just as countless people in reality are forced to move forward every day by life. The rules of the game and the laws of reality echo each other, revealing a deep thinking about freedom, growth, and destiny.

    Players seek a sense of accomplishment and happiness in the game, but they also have to face fatigue and loss. The boundary between life and games is blurred, and struggle and hope are intertwined, making people feel both painful and warm.

    This may be the charm of “Mingchao” and Xiakong. It is not only a game, but also a mirror, reflecting our complex hearts and the self who struggles but does not give up. May we all find our own blooming iris in this endless challenge, and face it with a smile even if our fate is unfortunate.

  • The light of warmth and loneliness burning in the popcorn pot in Ju Fufu’s hand

    Ju Fufu’s name sounds light, like a spring breeze, with a little cheerful breath. But the popcorn pot in her hand is very different from the name. The pot carries her countless days and nights of expectations and losses, burning the loneliness and tenderness in the deepest part of her heart. Whenever she raises the spatula and taps it gently, the flame jumps up, with warmth and a little sadness.

    Her attack combo, the first three are like the short joy in life, rapid and powerful, as if eager to fight for every precious moment; the fourth is slow and steady, as if reminding herself that even in the midst of chaos, she still needs to keep her heart calm. Every sound of the spatula knocking is like the beating of her inner pulse, with softness and strength.

    When she dodges, her movements are elegant and firm, as if the spatula is not only a weapon, but also a support for life. She spun and dodged, as if avoiding the pressure of reality, but she used the spinning movement to weave her own dance of life. The flames danced around her, like the waves of her inner emotions, sometimes hot as summer, sometimes calm as autumn.

    At the moment of “opening the pot”, she brought the pot to the center of the stage, the flames jumped, and the popcorn scattered. The teammates gathered around her, and the flames reflected the fatigue and hope on their faces. At that moment, Ju Fufu became their center and became the warm flame that everyone relied on. Although the fire was fierce, it was also gentle, and it allowed people to find a trace of comfort in the cold.

    Her wound system reflects the reality of life. Every scar is the pain she has experienced, but these pains did not make her fall, but made her stronger. She used wounds to accumulate strength and pain to accumulate hope. Every increase in attack seemed to tell herself: No matter how difficult it is, you must keep moving forward.

    Support skills are the soft part of her heart. Her quick support, parry support, and additional attacks are all her deep care for her partners. Even if she herself is injured, she is still willing to lend a hand and help those around her face difficulties together. Her popcorn pot is not only a tool for fighting, but also a symbol of love.

    When she releases the finishing move, the flames burn in the pot, and the popcorn splashes, carrying all her strength and emotions. At that moment, she gave everything she had and dedicated all her warmth and enthusiasm to the world. After the flames dissipated, the remaining warmth was like her emotional traces, warm and lasting.

    After Ju Fufu left, there were still embers in the pot, and the flames swayed, as if telling her story. The rhythm of her beating with the spatula is the beat of her life. The flames burning in the popcorn pot not only illuminate her way, but also warm those who fought side by side with her.

    This is not only a story of fighting, but also a journey of life about tenacity and warmth. Ju Fufu uses her spatula to beat out the rhythm of life, break the frost of loneliness, and light the light in her heart that never goes out. Her story is a portrayal of the softness and strength intertwined in many people’s hearts, and a song of the indomitable life.

    In this complicated world, Ju Fufu’s popcorn pot, with her hope and love, turns into a light to illuminate the way forward. Her loneliness and warmth, like the jumping flame in the pot, sometimes dim, but never extinguished.

  • Talking about the skill mechanism of Ju Fufu and the absurdity and rationality behind modern game design

    The character design in the game is often a very interesting phenomenon. Take Ju Fufu, this S-level agent with fire attribute, whose name sounds like a nickname of a child, but actually hides a complex skill system. The seemingly simple game instructions are full of the designer’s thoughts and the psychological temptation of the players. Today, I will talk about Ju Fufu’s skill mechanism from a more rational perspective, and by the way, talk about the strange circle of absurdity and rationality coexisting in modern game design.

    1. Ju Fufu’s “Popcorn Pot”: Rational combination of daily absurdity and function
    Ju Fufu’s iconic weapon is a popcorn pot. You heard it right, it’s a popcorn pot. This is very interesting in itself. Who would use a pot as a weapon in life? But the game designer’s brain hole is there-a combination of absurdity and reality. The popcorn pot is not only a symbolic prop, it can also automatically attack the enemy and accumulate “heat”, which makes a pot used for snacks in daily life become the key to battle.

    From a rational point of view, this design is not simply funny. It gives players a “heat” management system, that is, you need to always pay attention to resource accumulation and release timing, which is the core of modern game design. It converts abstract energy into a numerical value that players can operate, thus forming a sense of rhythm.

    2. Heat setting and game rhythm control
    The parameter “heat” is the soul of the battle system of Ju Fu Fu. It is a cumulative resource that grows with the use of ordinary attacks and special skills. When the heat reaches a certain value, it will automatically trigger more powerful skills, such as the combo skill “opening the pot”.

    The cleverness here is that the designer used the very lifelike word “heat”, which is both vivid and metaphorical: when people are under pressure or passionate, they will perform more intensely. Players must accurately control this “heat”, neither use it up too early nor waste accumulation.

    This is like the impulse and reason in life. If it is well controlled, it can explode into power, but if it is not well controlled, it will cause harm. Game designers are undoubtedly well versed in human nature. They condense this emotional fluctuation into numbers, allowing players to experience the fun of control and release.

    3. Invincible design in the dodge mechanism: modern game philosophy of tolerance for failure

    Tachibana Fufu’s dodge is not only a simple move, but also gives him an invincible state. Modern games pay more and more attention to the tolerance of players’ failure. Why? Because the real game experience is not only the pleasure of victory, but also the adjustment and growth after failure.

    Invincible dodge gives players the opportunity to make mistakes, avoiding all previous efforts being wasted because of a mistake. This not only reduces the player’s sense of frustration, but also makes the operation smoother and more interesting. In real life, failure and frustration are everywhere, but in the game, such a “safety net” allows people to experience continuous attempts and continuous restarts.

    This design also reflects the tolerant attitude of modern society towards people: it is not necessary to be perfect, and failure is part of learning. The game transforms this philosophy into a specific operation experience, which itself is a combination of rationality and humanistic care.

    4. Linkage and teamwork: the tension between the individual and the collective

    Tachibana Fufu’s skills have a lot of designs about linkage, which means that she is not fighting alone, but a member of the team. The “linkage” mechanism in the game reflects the relationship between the individual and the collective in the real world.

    The design of the teamwork mechanism is not only to increase the fun of the game, but also to emphasize the value of social interaction. No one can be completely independent in this world. The flame of Ju Fufu is more vigorous because of the support of the team, symbolizing that personal power is amplified by the collective.

    However, teamwork is also accompanied by conflict and balance. The setting of the “imbalance value” in the game implies that there must be friction and trade-offs in cooperation. Players must find the best fit between personal skills and team needs. This design not only increases the complexity of the game, but also allows players to experience a deeper level of interpersonal logic.

    V. The resonance of skill growth and player psychology
    The improvement of Ju Fufu’s skill level reflects the psychological needs of players to grow. Modern games pay attention to the “sense of growth”, allowing players to feel the pleasure of the character becoming stronger by accumulating time and resources.

    The wound effect setting of Ju Fufu is very interesting: her damage to enemies with “wounds” is increased, and it must be a critical hit. This mechanism symbolizes a targeted attack on weaknesses, and also allows players to think strategically. Facing the enemy, you must first “mark” the weakness, and then concentrate your firepower to break it.

    This is not only a skill design, but also a psychological guide. The game allows players to find a balance between a sense of achievement and strategy, satisfying the human psychology of naturally liking to control the situation.

    6. Imagery: Humanistic Thinking Behind Numbers
    Ju Fufu’s “Imagery” system is a product of the combination of vision and skills in the game. Each skill effect is accompanied by a unique visual performance, which not only meets the player’s aesthetic needs, but also strengthens the recognition and feedback of skills.

    Behind this is actually the emphasis on “experience” in modern games. Players are not only operating machines, but also surrounded by multiple visual and auditory stimuli. Imagery brings warmth behind the cold numbers, forming a richer sensory experience.

    This reminds me that our modern society is full of fast-paced information and stimulation. Game designers use this method to help players find emotional footholds in virtual space.

    7. The rationality and absurdity of modern game design
    Ju Fufu’s design is undoubtedly a product of extreme rationality. Every value, skill cooldown, and invincibility duration have been precisely calculated. However, the “Ju Fu Fu” in her name is a popcorn pot as a weapon. This absurd design element reminds us that in addition to rationality, there are also humor and whimsy.

    This is the charm of modern game design: behind the rigorous data, there is infinite creativity and fun. Designers wander between rationality and absurdity to create an experience that is both reasonable and unexpected.

    Players challenge themselves and enjoy this absurd fun. Just like life, behind a serious face, there are often absurd stories.

    8. Summary: Ju Fu Fu is not only a game character, but also a metaphor of human nature in modern society
    Ju Fu Fu’s skill design reflects the dual needs of modern people for rational control and emotional release. Her popcorn pot, heat management, invincible dodge, and teamwork are all reflections of real human nature and social relations.

    Through such a virtual character, we can see how modern games explore the complex inner world of human beings while entertaining. Games are no longer simple pastimes, but have become a new channel for understanding oneself and experiencing life.

    Ju Fufu, with her fire and pot, cooks rationality and absurdity into a delicious feast of life. Are you ready to taste it?

  • Looking at the desire and nostalgia of the contemporary virtual world from the complicated details of the materials for cultivating Mingchao Xiakong

    In this era of information explosion and endless virtual games, the game “Mingchao” has attracted countless players with its unique world view and character settings. Xiakong, the newly-launched five-star resonator, is like a coral in the deep sea, brilliant and mysterious. However, to cultivate her from zero to the peak, it is necessary to collect countless materials and pave a thorny growth path.

    The list of materials on this road is staggering, including low-frequency tidal erosion sail core, medium-frequency tidal erosion sail core, high-frequency tidal erosion sail core, full-frequency tidal erosion sail core, as well as burning phosphorus bones, crystallized phlogiston, and the day when irises bloom… These names sound like legendary fragments blown away by the wind in an ancient village, and also like ancient sacrificial utensils, exuding a mysterious atmosphere. However, when these materials are piled up one by one to form a long table, the players suddenly realize that this is just another form of labor, a field that is repeatedly cultivated in the virtual world.

    I thought of the land in my hometown, where wheat grows one after another in the fields, and hard work brings the golden autumn and food in my pocket. Today’s young people have to wave their mouse and handle in front of the screen to collect these unattainable materials, fight monsters, and brush dungeons, spending as much time and energy as farm work on that hot land. It’s just that this labor does not have the fragrance of sweat, but is replaced by the coldness of virtual numbers and the exhaustion of endless cycles.

    Especially those “burning phosphorus bones”, which are said to be obtained by defeating the ancient dragon of sighing. I always feel that this name is like a dangerous story circulated in the ancient village, which makes people feel awe. The players in the game are like hunters in the ancient village, hunting mysterious monsters and looking for treasures that can be exchanged for growth. Behind this is the desire of modern people for achievement and the recognition of self-worth in the virtual world. The complexity and pressure of real life make many people more willing to devote themselves to this virtual hunt to fight those monsters that are more cruel than life.

    What is even more impressive is that these materials are classified into different categories, with different levels and an astonishing number. Forty-six Burning Phosphorus Bones, sixty Golden Flees, dozens or even hundreds of Crystallized Phlogists… This reminds me of the food reserves for the New Year in my hometown, which were prepared to deal with wind, frost, snow and rain. And these materials of the players are to withstand the layers of difficulties and challenges in the game, and are their “New Year’s goods” to become powerful and glorious.

    I also thought of the “stuffed meat tofu” used to improve efficiency in that game, which can increase the material drop rate by 50% for half an hour. This setting is like the bacon buns made by the village aunt, which can make you full of energy after eating, and work twice as hard with half the effort. Although it cannot solve the fundamental problem, it can temporarily relieve the hardship and anxiety. Aren’t young people in modern society also relying on similar “quick-acting chicken soup” and “fast food culture” to support running between reality and virtuality?

    Behind these cultivation materials, there are too many reflections of reality. Players pay such a huge price for the growth of a virtual character, just as modern people keep working hard for some halos of life, even at the cost of their lives. This kind of “cultivation” in the digital world is a new form of labor, and also an escape and compensation for the powerlessness of reality.

    However, in this virtual ocean of Mingchao, there is still a strong sense of homesickness. It is not only a remembrance of the land of my hometown, but also a desire for a simple and beautiful time. In the materials of Xiakong, there is “The Day When Iris Blooms”, a poetic name, like a wisp of country wind, blowing the tired hearts of players. It reminds people of the blooming sea of ​​flowers in the fields during childhood, pure and short, but enough to become a lifetime memory.

    The prosperity and hustle and bustle of the virtual world do not seem to make people forget the pursuit of the true nature of life. Players work hard in the vast sea of ​​materials, both for the desire to win the game and for the exploration of the meaning of life. Perhaps it is this pursuit that gives them the motivation to paddle forward in the virtual ocean.

    In summary, the complicated list of materials for Mingchao Xiakong’s cultivation is not just a string of cold numbers in the game, but also a metaphor for the mental state of modern people. It carries desire, labor, anxiety, and also places deep expectations on beauty and meaning. In the virtual world, the shadow of reality is everywhere, and in this shadow, nostalgia and hope are still endless.

  • In the memory of the wind, she grows slowly but firmly

    Have you ever noticed the growth curve of a character in the game, like a plant quietly taking root in the wild, not fighting or competing, but just growing slowly, tenaciously and truly?

    Feng Jin is such a being.

    She will debut in the 3.3 version of “Honkai Impact 3: Star Railway”. With wind attributes and memory of fate, her setting is not the kind of character that “explodes” at first sight, but like a word hidden in the wind, she gradually emerges from the softest part of your heart. She needs your time and patience to care for her. Every bit of material, every copy, and every breakthrough you give her is not just a game operation, but also an emotional investment.

    Let’s take a look at all the materials she needs to grow:

    “Fear crushes flesh and blood” × 56

    “Courage tears the chest” × 71

    “Glory baptizes the body” × 73

    “A cup of drunkenness” × 65

    “The seed of thought” × 18

    “Manas sprout” × 69

    “Alaya” × 139

    “The sound of the same wish” × 12

    “The footprint of fate” × 8

    “Travel experience” × 21

    “Adventure record” × 8

    “Traveler’s guide” × 287

    Total credit points: 3,888,100

    These numbers and names stacked together can easily be mistaken for boring data, but if you really get close to her, you will find that these names seem to hide fragments of stories: the fear of flesh and blood, the courage torn apart, the baptism of glory, each piece of material is like an experience in her past, and you are the one who accompanies her to rebuild her life.

    For example, “A Cup of Drunk Time”, you can’t get it directly, you have to go to the “Pinoconi Grand Theater”, where you can defeat the phantom and bring back this drop of the shadow of the time. Isn’t this name the best metaphor for the past? Drunk means drunkenness, and time is the wind. Drink it, and maybe you will see yourself in the dungeon.

    Look at her light cone again – “May the rainbow light stay in the sky forever.”

    This is not an ordinary line, but a prayer against forgetting. In an era of rapid game iteration and character updates, her “May the rainbow light stay forever” is not an external declaration, but a promise from her inner world: I am not dazzling, but I will not disappear.

    In order to upgrade her light cone from level 0 to the maximum level, you need to go to the same dungeon again and collect almost overlapping materials. Some people will say “repetition”, but if you enter with warmth, you will find that it is an echo, a tacit understanding quietly formed between you and her.

    Her “traces” system is a deep excavation. You need to prepare more “seeds of thought”, more “Alaya”, and more “Manas sprouts” for her. These materials are not ordinary resources. They are like fragments of emotions, a maze in her heart, and the structure of her memory, and you are the pioneer who slowly walks in.

    Do you know? The name “Alaya” itself contains a philosophical meaning – it is a symbol of deep consciousness, and it is the things that you think you have forgotten but are actually just sinking to the bottom of your heart. The process of collecting these materials for her is actually the process of your dialogue with your own inner world.

    Every breakthrough of hers also requires “a cup of drunken time” as the key material. You may be tired, and you may think “Why do I have to brush this level?”, but perhaps it is the repeated actions that give you the opportunity to stop and reconcile with yourself in the fast-paced task list.

    She is not a character prepared for the “strength party”. She does not have the deafening numbers on the burst damage table. But she is the kind of character that becomes calmer as you raise her. She is like a friend who has been stationed in your heart for a long time. She doesn’t talk often, but she is never absent.

    You will project your past emotions that were blown away by the wind onto her.

    You used to be like her, not strong enough, not fast enough, not eye-catching enough. But you still move forward step by step. Your tiredness when brushing dungeons and your helplessness when materials are insufficient are finally comforted by her gentle smile-“Thank you for being willing to accompany me.”

    When you finally raise her to the maximum level and see her dancing like the wind in battle, you may smile, not because of the increase in values, but because you know: this is the flower you planted, watered, fertilized, and finally bloomed by your own hands.

    She is a character that needs time to stay with. Not for the top of the battle power table, but to remember, remember that you have gently waited for a soul that grows slowly but will eventually bloom.

    Feng Jin will not surprise everyone, but she will move those who are attentive.

  • Glimpse the true face of loneliness and helplessness in the flashy world

    Ju Fufu, this name sounds like a fairy tale, but it also reveals the worldly desolation. Her story is not a world-shaking legend, but a touch of sadness and struggle in the long run. She lives in a noisy and chaotic era, surrounded by the noise of the crowd, but she can never touch the real warmth.

    She is like a kite blown by the wind, sometimes flying high, sometimes swaying, trying to find a clue of her own. Her “normal attack” is like a struggle day after day, ordinary and powerless, but she has to persist; her “dodge” is the concession and helplessness of life, avoiding those unbearable realities. The “popcorn pot” in her hand is more like an invisible amulet, a way for her to comfort herself, and a trace of expectation and dependence in her heart.

    The world is not tolerant of Ju Fufu. Her fire attribute skills are not passionate and blazing, but calm and forbearing. The flames did not burn the surrounding scenery, but the loneliness and sorrow deep in her heart. She used the firelight to reflect her own shadow, and also reflected the indifference and ruthlessness of others. Fire is the brand in her heart, and it is also the only warmth she can grasp.

    Her core skills and supporting skills are different from the heroic forces in the drama, but more like a representation of a subtle interpersonal relationship. Every time they join forces, it is a silent compromise and struggle, a game of interests and emotions. She does not expect a vigorous friendship, but only asks for a shallow tacit understanding that can give her a little support when she is lonely.

    The story of Ju Fufu is more like a mirror, reflecting the state of mind of countless people in this era. She is not a perfect heroine, but the one who is crushed by reality and torn by emotions, but still tries to breathe. Her loneliness is a microcosm of those who shuttle between the steel and concrete in the city, with bright and beautiful appearance but empty heart.

    The cruelty of life has taught her to defend herself and to cover up the storm in her heart with calmness. In her seemingly weak body, she hides a stubbornness and unwillingness to admit defeat. Even if there are many misunderstandings and cold eyes around her, she still insists on her own purity and kindness. She is not a warrior on the battlefield, but she interprets her own tragedy and comedy with ordinary persistence.

    The image of Ju Fufu also reminds people of those neglected female groups. They struggle in the cracks of society, wanting to break free from the shackles, but unable to get rid of them completely. Their power is not obvious, but it is the key to promoting subtle changes in society. Their pain and happiness, joy, anger, sorrow and joy, are all silently writing their own stories.

    The background of this story is a kind of light sadness, but it is not without warmth. Ju Fufu interprets the meaning of “living” in her own way. Her persistence is both a redemption of herself and a silent struggle against reality. She has no lofty words, only sighs and thoughts in countless lonely nights.

    In this flashy and indifferent world, Ju Fufu teaches us: the helplessness and fragility deep in the human heart are the real existence. Each of us is her, struggling and moving forward in our own way. Although her flame is small, it can illuminate the darkest corners; although her loneliness is heavy, she still guards the last bit of warmth.

    This story makes people sigh that the distance between people is sometimes more painful than the physical distance. The inner world of Ju Fufu is a portrayal of countless neglected and forgotten souls. She uses delicate emotions and real struggles to arouse our thinking about the essence of life.

    In the end, Ju Fufu did not have a gorgeous ending, only the light that never went out. She taught us that the meaning of life is not in the spectacular achievements, but in the perseverance and waiting in those ordinary days. Her story is a song of life that is sung softly, which makes people savor it for a long time and resonate with their hearts.