Treabar

Category: Game Guides

  • Feel the fragility and tenacity of life from the knocking of the popcorn pot

    Ju Fufu stood in the narrow alley, holding the old popcorn pot tightly in her hand. The fire jumped from the bottom of the pot and reflected on her pale face, as if it was a cruel judgment. The sound made when the lid of the pot was knocked was not just a simple ding-dong, but more like the sound of life being knocked by fate. The first three knocks were powerful and rapid, like the impulse and stubbornness of youth, unwilling to compromise, unwilling to surrender; the fourth knock was dragging and heavy, like a sigh after life was ruthlessly tortured.

    The popcorn in the pot burst one by one, and her shadow flickered in the firelight, reflecting her unspeakable pain and struggle. Those broken popcorns are not just food, but also fragments of her life that have been broken and reassembled again and again. Although Ju Fufu’s movements are agile, they reveal a trace of fatigue and helplessness. Every time she rotates and dodges, she is fighting against fate, but she is extremely fragile.

    She has scars on her body, some deep and some shallow, recording the pain she has suffered. They are not only physical injuries, but also spiritual scars, and the marks left after life hits her again and again. No one knows how many failures and setbacks she has experienced, she can only endure the pain and move forward again and again. Each wound is like a seal, locking her tightly, but also making her live more firmly.

    When her support skills are activated and her helping hand is extended, it is not only a transmission of power, but also a relay of life. She tried her best to help others, but she didn’t know that she was already exhausted physically and mentally. Her counterattack and support are an unyielding struggle against life and a belief that she still persists in adversity. The popping sound of the popcorn pot constantly reminds her that she is still alive and can continue to fight.

    The release of the finishing move is the blooming of the flame, the burning of life at the limit. Popcorn splatters everywhere, and Ju Fufu looks both strong and fragile in the firelight. The flame brings warmth, but also burns. Her figure swayed in the firelight, like a flower blown by the wind, tenacious but likely to wither at any time.

    After the battle, the pot lid returned to calm, and the flames gradually went out. Ju Fufu’s back disappeared in the darkness. No one remembered her name, and no one knew what she had experienced. But her story, like the knocking sound on the pot lid, silently shook every life. Her suffering and struggle are a microcosm of the lives of countless ordinary people and a heavy burden given to them by the times.

    This world is like a popcorn pot, sometimes exploding hotly, and sometimes cooling down and silent. Each of us is knocking on our own pot lid, trying to resist the storm of life, trying to find the meaning of survival in the chaotic flames. Ju Fufu’s story is not just her struggle, but the resonance of all those who struggle with fate.

    The fragility and tenacity of life are infinitely magnified in those knocks. The sound of the popcorn pot is the cry of reality, the whisper of suffering, and the proof of the tenacity of human nature. We cannot choose our fate, but we can choose how to shine in the flames of fate.

    Ju Fufu and her popcorn pot tell us: life will hurt you, but you must be strong; fate will make you helpless, but you must be tenacious. Only after experiencing the baptism of fire can we truly appreciate the weight and value of life.

  • Discussing the dual shackles of virtuality and reality in modern society from the acquisition of Xiakong materials

    Speaking of what games young people play today, some people may think that this is just a boring pastime, or even an absurd act of escaping reality. However, when we take a closer look at the various materials required for the five-star resonator “Xiakong” in the game called “Mingchao”, we will find that there are hidden worries of an era and the shadow of modern society.

    “Xiakong” needs to break through, first of all, it must have “low-frequency tidal eclipse sail core”, “medium-frequency tidal eclipse sail core”, “high-frequency tidal eclipse sail core”, and then “full-frequency tidal eclipse sail core”. Listening to this name, although it is full of technological sense, it is essentially just a game symbol stacking virtual numbers. Not to mention those strange “burning phosphorus bones”, “golden wool”, “containing impure crystal phlogiston”, all kinds of names are full of mysterious mystery, as if to let players gain some sacred power in the virtual world.

    But if you think about it carefully, the way to obtain these virtual materials just reflects the cruelty of real life: if you want to get the “Burning Phosphorus Bone”, you must fight desperately with the “Sighing Ancient Dragon”; if you want to get the “Golden Fleece”, you have to search everywhere in the game, and even limit yourself to buying 15 per week; if you want to “contain impure crystals and phlogiston”, you have to participate in limited activities – this difficulty is not like easy fun, but more like real labor.

    How ironic is this? Real life is already tiring enough, and these young people are “working” again in the virtual world for the seemingly glamorous “Xiakong” role. Behind it is the invisible consumption of time and the virtual satisfaction bought with money; and this virtual satisfaction reflects the helplessness and difficulties of many people in real life. In other words, the game is nothing more than a reflection of reality, a substitute and compensation for all kinds of dissatisfaction in reality.

    What’s even more ridiculous is that for these materials, players have to “recharge” frequently in order to quickly obtain resources. The 22% discount on Treabar.com makes recharging seem cost-effective, but in fact it tempts people into a trap of constantly spending money. As digital currency circulates, many players have unknowingly become gears in the capital machine. Under the illusion of economic independence, capital exploits young people’s time and emotions.

    The growth of “Xiakong” depends on this endless accumulation and recharge, just as countless young people in reality are forced to work hard and work overtime in exchange for a little unstable “success” and “recognition”. Virtual characters are very similar to the ideal self in reality, which is a vision that cannot be easily realized. Therefore, people are willing to devote themselves to this virtual labor in order to get a little comfort.

    However, this virtual satisfaction does not really solve the problem. On the contrary, it makes people more and more lost. Real life is thrown behind and becomes a mechanical process of continuous recharge, monster swiping, and collection. Games have become an anesthetic for modern society, not an antidote.

    On a deeper level, the acquisition rules, storage channels, and reward mechanisms behind the game materials all reflect the inequality of power and resource distribution in modern society. The seemingly mysterious names of “Ancient Dragon of Sighs”, “Lina Xi Tower”, and “Wheel of Fate” in the game are actually metaphors of the system and insurmountable barriers. Only a few people can break through quickly, while the vast majority can only consume their energy and money.

    Behind these numbers is a contest of time, money, and energy, and a reflection of the virtual economy on the real social order. Young people are addicted to the cultivation of “Xiakong”, which is nothing more than trying to find a sense of control and self-realization in this game.

    However, when they look up from the screen, they are still greeted by the cold reality. The virtual growth of the game cannot replace the change of reality. As Mr. Lu Xun said: “Hope is attached to existence. If there is existence, there is hope. If there is hope, there is light.” But when hope is only placed in the virtual world, how real is that light?

    Therefore, we have to reflect: Why does contemporary society allow young people to only find identity and power in the virtual world? Does the lack of education, economy, and culture make them nowhere to tell and nowhere to realize? If these problems are not faced squarely, the game will eventually become an illusion that makes people lose themselves, rather than a real paradise.

    The list of materials for “Xiakong” may be just a detail of game design, but it inadvertently exposes the various difficulties of modern society. Only by understanding the social reality behind this can we truly help young people break free from the double shackles of virtuality and reality and embrace a more real and dignified future.

  • Talking about the skill mechanism of Ju Fufu and the absurdity and rationality behind modern game design

    The character design in the game is often a very interesting phenomenon. Take Ju Fufu, this S-level agent with fire attribute, whose name sounds like a nickname of a child, but actually hides a complex skill system. The seemingly simple game instructions are full of the designer’s thoughts and the psychological temptation of the players. Today, I will talk about Ju Fufu’s skill mechanism from a more rational perspective, and by the way, talk about the strange circle of absurdity and rationality coexisting in modern game design.

    1. Ju Fufu’s “Popcorn Pot”: Rational combination of daily absurdity and function
    Ju Fufu’s iconic weapon is a popcorn pot. You heard it right, it’s a popcorn pot. This is very interesting in itself. Who would use a pot as a weapon in life? But the game designer’s brain hole is there-a combination of absurdity and reality. The popcorn pot is not only a symbolic prop, it can also automatically attack the enemy and accumulate “heat”, which makes a pot used for snacks in daily life become the key to battle.

    From a rational point of view, this design is not simply funny. It gives players a “heat” management system, that is, you need to always pay attention to resource accumulation and release timing, which is the core of modern game design. It converts abstract energy into a numerical value that players can operate, thus forming a sense of rhythm.

    2. Heat setting and game rhythm control
    The parameter “heat” is the soul of the battle system of Ju Fu Fu. It is a cumulative resource that grows with the use of ordinary attacks and special skills. When the heat reaches a certain value, it will automatically trigger more powerful skills, such as the combo skill “opening the pot”.

    The cleverness here is that the designer used the very lifelike word “heat”, which is both vivid and metaphorical: when people are under pressure or passionate, they will perform more intensely. Players must accurately control this “heat”, neither use it up too early nor waste accumulation.

    This is like the impulse and reason in life. If it is well controlled, it can explode into power, but if it is not well controlled, it will cause harm. Game designers are undoubtedly well versed in human nature. They condense this emotional fluctuation into numbers, allowing players to experience the fun of control and release.

    3. Invincible design in the dodge mechanism: modern game philosophy of tolerance for failure

    Tachibana Fufu’s dodge is not only a simple move, but also gives him an invincible state. Modern games pay more and more attention to the tolerance of players’ failure. Why? Because the real game experience is not only the pleasure of victory, but also the adjustment and growth after failure.

    Invincible dodge gives players the opportunity to make mistakes, avoiding all previous efforts being wasted because of a mistake. This not only reduces the player’s sense of frustration, but also makes the operation smoother and more interesting. In real life, failure and frustration are everywhere, but in the game, such a “safety net” allows people to experience continuous attempts and continuous restarts.

    This design also reflects the tolerant attitude of modern society towards people: it is not necessary to be perfect, and failure is part of learning. The game transforms this philosophy into a specific operation experience, which itself is a combination of rationality and humanistic care.

    4. Linkage and teamwork: the tension between the individual and the collective

    Tachibana Fufu’s skills have a lot of designs about linkage, which means that she is not fighting alone, but a member of the team. The “linkage” mechanism in the game reflects the relationship between the individual and the collective in the real world.

    The design of the teamwork mechanism is not only to increase the fun of the game, but also to emphasize the value of social interaction. No one can be completely independent in this world. The flame of Ju Fufu is more vigorous because of the support of the team, symbolizing that personal power is amplified by the collective.

    However, teamwork is also accompanied by conflict and balance. The setting of the “imbalance value” in the game implies that there must be friction and trade-offs in cooperation. Players must find the best fit between personal skills and team needs. This design not only increases the complexity of the game, but also allows players to experience a deeper level of interpersonal logic.

    V. The resonance of skill growth and player psychology
    The improvement of Ju Fufu’s skill level reflects the psychological needs of players to grow. Modern games pay attention to the “sense of growth”, allowing players to feel the pleasure of the character becoming stronger by accumulating time and resources.

    The wound effect setting of Ju Fufu is very interesting: her damage to enemies with “wounds” is increased, and it must be a critical hit. This mechanism symbolizes a targeted attack on weaknesses, and also allows players to think strategically. Facing the enemy, you must first “mark” the weakness, and then concentrate your firepower to break it.

    This is not only a skill design, but also a psychological guide. The game allows players to find a balance between a sense of achievement and strategy, satisfying the human psychology of naturally liking to control the situation.

    6. Imagery: Humanistic Thinking Behind Numbers
    Ju Fufu’s “Imagery” system is a product of the combination of vision and skills in the game. Each skill effect is accompanied by a unique visual performance, which not only meets the player’s aesthetic needs, but also strengthens the recognition and feedback of skills.

    Behind this is actually the emphasis on “experience” in modern games. Players are not only operating machines, but also surrounded by multiple visual and auditory stimuli. Imagery brings warmth behind the cold numbers, forming a richer sensory experience.

    This reminds me that our modern society is full of fast-paced information and stimulation. Game designers use this method to help players find emotional footholds in virtual space.

    7. The rationality and absurdity of modern game design
    Ju Fufu’s design is undoubtedly a product of extreme rationality. Every value, skill cooldown, and invincibility duration have been precisely calculated. However, the “Ju Fu Fu” in her name is a popcorn pot as a weapon. This absurd design element reminds us that in addition to rationality, there are also humor and whimsy.

    This is the charm of modern game design: behind the rigorous data, there is infinite creativity and fun. Designers wander between rationality and absurdity to create an experience that is both reasonable and unexpected.

    Players challenge themselves and enjoy this absurd fun. Just like life, behind a serious face, there are often absurd stories.

    8. Summary: Ju Fu Fu is not only a game character, but also a metaphor of human nature in modern society
    Ju Fu Fu’s skill design reflects the dual needs of modern people for rational control and emotional release. Her popcorn pot, heat management, invincible dodge, and teamwork are all reflections of real human nature and social relations.

    Through such a virtual character, we can see how modern games explore the complex inner world of human beings while entertaining. Games are no longer simple pastimes, but have become a new channel for understanding oneself and experiencing life.

    Ju Fufu, with her fire and pot, cooks rationality and absurdity into a delicious feast of life. Are you ready to taste it?

  • In the memory of the wind, she grows slowly but firmly

    Have you ever noticed the growth curve of a character in the game, like a plant quietly taking root in the wild, not fighting or competing, but just growing slowly, tenaciously and truly?

    Feng Jin is such a being.

    She will debut in the 3.3 version of “Honkai Impact 3: Star Railway”. With wind attributes and memory of fate, her setting is not the kind of character that “explodes” at first sight, but like a word hidden in the wind, she gradually emerges from the softest part of your heart. She needs your time and patience to care for her. Every bit of material, every copy, and every breakthrough you give her is not just a game operation, but also an emotional investment.

    Let’s take a look at all the materials she needs to grow:

    “Fear crushes flesh and blood” × 56

    “Courage tears the chest” × 71

    “Glory baptizes the body” × 73

    “A cup of drunkenness” × 65

    “The seed of thought” × 18

    “Manas sprout” × 69

    “Alaya” × 139

    “The sound of the same wish” × 12

    “The footprint of fate” × 8

    “Travel experience” × 21

    “Adventure record” × 8

    “Traveler’s guide” × 287

    Total credit points: 3,888,100

    These numbers and names stacked together can easily be mistaken for boring data, but if you really get close to her, you will find that these names seem to hide fragments of stories: the fear of flesh and blood, the courage torn apart, the baptism of glory, each piece of material is like an experience in her past, and you are the one who accompanies her to rebuild her life.

    For example, “A Cup of Drunk Time”, you can’t get it directly, you have to go to the “Pinoconi Grand Theater”, where you can defeat the phantom and bring back this drop of the shadow of the time. Isn’t this name the best metaphor for the past? Drunk means drunkenness, and time is the wind. Drink it, and maybe you will see yourself in the dungeon.

    Look at her light cone again – “May the rainbow light stay in the sky forever.”

    This is not an ordinary line, but a prayer against forgetting. In an era of rapid game iteration and character updates, her “May the rainbow light stay forever” is not an external declaration, but a promise from her inner world: I am not dazzling, but I will not disappear.

    In order to upgrade her light cone from level 0 to the maximum level, you need to go to the same dungeon again and collect almost overlapping materials. Some people will say “repetition”, but if you enter with warmth, you will find that it is an echo, a tacit understanding quietly formed between you and her.

    Her “traces” system is a deep excavation. You need to prepare more “seeds of thought”, more “Alaya”, and more “Manas sprouts” for her. These materials are not ordinary resources. They are like fragments of emotions, a maze in her heart, and the structure of her memory, and you are the pioneer who slowly walks in.

    Do you know? The name “Alaya” itself contains a philosophical meaning – it is a symbol of deep consciousness, and it is the things that you think you have forgotten but are actually just sinking to the bottom of your heart. The process of collecting these materials for her is actually the process of your dialogue with your own inner world.

    Every breakthrough of hers also requires “a cup of drunken time” as the key material. You may be tired, and you may think “Why do I have to brush this level?”, but perhaps it is the repeated actions that give you the opportunity to stop and reconcile with yourself in the fast-paced task list.

    She is not a character prepared for the “strength party”. She does not have the deafening numbers on the burst damage table. But she is the kind of character that becomes calmer as you raise her. She is like a friend who has been stationed in your heart for a long time. She doesn’t talk often, but she is never absent.

    You will project your past emotions that were blown away by the wind onto her.

    You used to be like her, not strong enough, not fast enough, not eye-catching enough. But you still move forward step by step. Your tiredness when brushing dungeons and your helplessness when materials are insufficient are finally comforted by her gentle smile-“Thank you for being willing to accompany me.”

    When you finally raise her to the maximum level and see her dancing like the wind in battle, you may smile, not because of the increase in values, but because you know: this is the flower you planted, watered, fertilized, and finally bloomed by your own hands.

    She is a character that needs time to stay with. Not for the top of the battle power table, but to remember, remember that you have gently waited for a soul that grows slowly but will eventually bloom.

    Feng Jin will not surprise everyone, but she will move those who are attentive.

  • Every inch of time and delicate emotions on Feng Jin’s growth path

    Feng Jin is the breeze blowing on the Star Dome Railway, but it is like a deep memory, gentle but tenacious. Her appearance is not just a journey in the game, but more like an inner journey of growth and self-exploration. In order to let every pioneer who is about to welcome her better understand her, we have carefully sorted out the various materials and stories behind Feng Jin’s growth. These materials are not just cold numbers, but more like the mark of Feng Jin’s soul growth, carrying her fear, courage and glory.

    Growth is a long and difficult process. Feng Jin has to go through 56 pieces of “fear crushing flesh and blood”. This is not a simple accumulation of materials, but her struggle and victory in the face of fear. Every piece of flesh and blood fragment symbolizes her direct view and transcendence of the darkness in her heart. Fear may be heavy, but only by learning to live with it can growth continue.

    Next, there are 71 pieces of “Courage Tearing the Chest”. This material reminds us that courage is not fearlessness, but the power to choose to move forward in fear and anxiety. Feng Jin’s courage is the manifestation of her breaking through her own limitations again and again. She grows up in the tearing and becomes stronger in the pain. This courage, like warm light, penetrates the haze and illuminates the way forward.

    73 pieces of “Glory Baptizes the Body” represent her transformation after experiencing wind and rain. Glory is not vanity, but a kind of satisfaction and self-affirmation deep in the heart. Feng Jin gained this glory in the ups and downs, and her body was baptized, appearing more flexible and full of strength. Her growth tells us that only by experiencing suffering can we gain true respect and value.

    “A Cup of Intoxication” is a unique and precious seasoning in her life. 65 pieces of this kind of material come from her experience in the “Pinoconi Grand Theater”, which is the melting pot of her spirit and the place where she talks with the past and the future. The intoxication era is a feeling for the past and a hope for the future. It allows Feng Jin to find her own direction in confusion, with a sense of calmness and determination.

    Her exclusive light cone “May the rainbow light stay in the sky forever” is not only an equipment, but also a symbol of her inner light. To upgrade it to the highest level, it requires a variety of precious materials and countless efforts. This light is not only power, but also hope, and her eternal expectation for the future. Every upgrade is like a purification and improvement of her soul, bringing new life energy.

    Feng Jin’s breakthrough process is the deepening of her self-cognition. From the initial weakness to continuous growth, she used the fragments of fear, courage, and glory to piece together a strong self. Credit points are the testimony of her efforts and the footprints of her struggle in the world. Each stage of improvement is accompanied by the struggle and nirvana of the soul, witnessing her transformation from confusion to determination.

    In the process of growth, Feng Jin collected many seemingly ordinary but powerful materials-the seeds of thinking, the sprouts of manas, and the Alaya. They are the nutrients of her spiritual world, nourishing her heart and helping her face the ever-changing fate. Those echoes of the same wish and the footprints of fate are fragments of her memory, a bridge for her to communicate with the world, and the most authentic echo from the depths of her soul.

    Feng Jin’s story is like a delicate painting, depicting a life moving forward in the wind and rain. Her wind not only blows on the Starry Sky Railway, but also blows our hearts. She teaches us to grow in fear, be brave in pain, and find our own glory in suffering. She uses her story to soothe those hearts that are also groping in the dark.

    We experience her growth with her, shine with her light cone, and feel the joy and hope brought by her every breakthrough. Collecting materials, upgrading and growing, this is not only the gameplay of the game, but also a metaphor about life, a deep understanding of persistence and love.

    May Feng Jin’s wind, with her stories and warmth, pass through every corner of the Starry Sky Railway and warm every lonely traveler. Her growth is a tribute to life and a tribute to the future. We are moved by her, and we are determined because of her, and continue to move forward under the starlight.

  • Chun, a quietly blooming flower

     

    Chun, like a flower in the morning, quietly blooms in the turbulent world. Her power is gentle and firm, like the spring breeze blowing over tender leaves, with silent warmth. She is annihilation, but not cruel with destruction, but like the whisper of life, gently speaking in the wind.

    Her health value is 10325, attack is 450, defense is 1161, these numbers are the solid foundation of her body, but they cannot fully describe her inner peace and persistence. The “Caichun” knife in her hand is like a willow branch in spring, flexible and sharp, and every swing is like a drizzle moistening the earth.

    Her attack is like the rhythm of spring, five ordinary attacks are continuous, heavy attacks are like the light dance of petals, and aerial attacks are like flying swallows, smart and elegant. Every movement of Chun is full of the rhythm of life, like the melody of nature, delicate and pure.

    The resonance loop “Botanical Universe” is the garden in her heart. The red toon stamens and red toon buds are like flowers in bud, waiting for the most beautiful bloom. In the bud state, she accumulates strength and prepares to welcome the midsummer that belongs to her. It is a kind of weak and tenacious waiting, and it is the belief of life in the future.

    The resonance skill “One Day Flower” is the moment when she blooms, like the sun shining through the clouds, warm and bright. The combo and counterattack in the blooming state are the sound of flowers blooming and the singing of life. Every time she dodges and counterattacks, she protects life, gently and firmly.

    The ultimate skill “Fang Hua Zhan Ashes” is her most beautiful posture, like petals falling, but with endless brilliance. She uses the power of annihilation to knock away the enemy and bring hope for peace. Her power is not destruction, but the reincarnation of life and the continuation of love.

    Every improvement and recovery in the resonance chain nourishes her roots like spring rain, giving her the power to grow continuously. The story of the Chinese tsuba is a hymn to life. It interprets the true meaning of life with warmth and strength. It exists in the wind, blooms in the light, and is always a gentle flower.

  • Gentle light and shadow on the seaside

     

    The sea breeze blows gently, bringing the salty sea flavor and stories from afar. Chun stood on the Black Sea coast, holding a swift knife in her hand, with an elegant and firm posture. Her hair fluttered gently with the wind, and the three colors were like clouds in the sky, changing colors with her mood. Her sword skills were like dancing, and every movement was full of the rhythm of life.

    Chun’s power comes from annihilation, but it is not a cold destruction, but a purification in life. She guards this coast in her own way, as gentle and strong as a mother guarding her child. Her figure sways gently in the sea breeze, bringing people a quiet and profound power.

    Deng Deng is another warm existence. She uses a long blade with delicate and flexible techniques. Her summon is her best friend, accompanying her through lonely times. There is sunshine and shadow in Deng Deng’s world. She is not afraid of loneliness because this little friend has been protecting her.

    The card pool of Mingchao version 1.4 is like a beautiful story. The two new characters bring hope and strength. Chun and Deng Deng are like two lights on the Black Sea coast, gently illuminating the road ahead. The re-engraving of Yinlin is an echo of the past, and the familiar warmth has come again. The new skins of Jinxi and Sanhua are like putting new clothes on old friends, bringing new vitality.

    Players work hard to prepare and reserve resources in this world, looking forward to meeting new characters. Treabar’s fast recharge is like a bridge to dreams, making people’s waiting easy and enjoyable. Although three minutes is short, it condenses infinite expectations.

    The story of Mingchao is about courage and protection, as well as friendship and growth. Chun and Deng Deng use their actions to tell us that no matter how difficult the road ahead is, there is always light waiting ahead. They are like lighthouses on the seashore, illuminating people who are lost, bringing warmth and hope.

    On the turbulent Black Sea coast, Chun and Deng Deng’s story slowly unfolds, bringing peace and beauty. They are the tenderness in the waves, the whispers in the wind, and the warmest light in the world full of love and dreams.

  • [Poetry and Watch in the Wind]——The Gentle Chapter of Genshin Impact 5.2 Card Pool

     

    The wind blows gently over the Dragon Ridge Snow Mountain, bringing news from afar. That is the call of the new version. The two names of Chaska and Olorun, like dewdrops in the morning light, fall on the land of Teyvat crystal-clear and warm. They and them, like a group of watchers, with different stories and powers, quietly wait for our encounter.

    Chaska, the archer with wind attribute, her appearance is like the spring wind, soft and powerful. Although the wind is invisible, it can penetrate everything and convey the message of life. Her power does not appear alone, but needs to be coordinated with other elements, just like the mutual support and reliance between people. It is this collaboration that makes her figure more agile and her story warmer.

    Olorun is the young traveler of the electric element. He carries mysterious light and shadow, like the lightning flashing in the sky, short but bright. Although he has experienced rebellion and struggle, it does not prevent him from moving forward. Everyone has wind and rain in their hearts, and there is also a clear sky. Olorun’s story, like the twists and turns in our lives, teaches us to be strong and brave.

    The reproduction of Navilet and Zhongli is a gift from the years. The combination of water and rock is like a mother’s gentle embrace and a father’s strong arms. Navilet nourishes life like water, and Zhongli protects the earth like rock. Their return, like an old friend, makes us feel warm and at ease. No matter how the world changes, this watch will never change.

    The Dragon Ridge Snow Mountain is the stage for this story. Snowflakes are flying and the mountain wind is whistling, but it also breeds the power of life. It reminds us that even in the cold and hardship, we can still find warm light. Players here, talk to the wind and snow, and feel the tenacity and beauty of life. Just like those unknown guardians in life, they use love and strength to support a piece of sky.

    When you are ready to create the crystal and embark on this new journey, please also bring that tenderness and expectation. Choosing a safe platform to recharge is a respect and cherishment for this journey. Treabar provides you with warm and caring service, allowing you to welcome every adventure without worries.

    The world of Genshin Impact is a story about love and protection. Version 5.2 is not only new content, but also a poem whispered in the wind, telling the deep affection between man and nature, and between people. May we all be as free as the wind, as soft as water, and as firm as rock, walk through every storm and embrace our own light.

  • The mysterious trace of Qianzhi under the rock butterfly

     

    Speaking of Fengdan, it is a place that is hard to explain to old players. Located on the edge of Teyvat, it is full of water vapor and there are many antiques hidden deep in the rock layer. No wonder there is a rumor that “Qianzhi of Rock Butterfly” will appear recently.

    The story has to start from the eve of the update of Ver4.5. At that time, the game planner seemed to have calculated the time and suddenly released the rumor of four new characters in succession, as if to drain the players’ original stones.

    It is said that each of these four people is a character with a history. What “Thunder Swordswoman”, “Water Spirit Sharpshooter”, “Fire Spearman”… It sounds like they are not good people, but the most confusing one is Qianzhi from the rock area.

    This person is not only a user of rock elements, but also has a unique skill – five elements cultivation. In other words, she is not like ordinary characters who only rely on a single attribute. She is like a mechanical man who can understand yin and yang and transform the five elements. She can heal wounds when encountering water, increase her attack when encountering fire, increase her critical hit when encountering ice, and restore energy when encountering thunder. If she encounters an element of the same rock… then the gain will be doubled, and she can withstand both attack and resistance.

    If you ask me, is this thing reliable? I can’t say for sure. In the game world, data is dead, but people’s hearts are alive. But from the revelations, this Qianzhi seems to be a big chess move made by the planner. Putting her in the team, she is as stable as a rock, like a piece of deformable meteorite.

    But then again, her abilities are more than that.

    It is rumored that she can perform a strange skill called [Phantom Butterfly Suit]. The name is a bit literary, but the effect is not literary. Once it occurs, it can make the enemy entangled in rock silk, and the resistance drops sharply, as if tied up by an invisible net. As for her teammates, their shields are as thick as the stone doors in the tomb passage, and her talent can convert defense into critical hit rate. This alone makes her better than many main Cs.

    Her constellation is even more weird.

    The first constellation can restore energy, just like a hidden pipe in the mechanism; the second constellation can summon more “crystals” and “butterfly suits”, and also cause a range attack called “splash damage” – this has never appeared in the old data, and it doesn’t sound right. When it comes to the fourth constellation, the critical damage can be increased to 40%; the sixth constellation is even more fierce, ignoring nearly half of the enemy’s defense, and there is also a “shield enhancement” bonus. It sounds good to be an auxiliary, but in the end it is to suppress the field.

    Weapons are tools. Qianzhi also has her own one-handed sword [Ranqi Kuoba’s Eye], the name is very strange, and it has a tone that is often seen in ancient tombstones. Not to mention the basic attack of 542, it can also add 82.7% defense, as if it was tailor-made for her. Once this sword is refined, it can provide additional elemental damage. To put it bluntly, it doesn’t matter who you hit, and any attribute can be involved.

    Don’t underestimate this multi-attribute mechanism. It’s easy to say, but not everyone can operate it. The five elements are mutually generated and restrained, and the reactions are too complicated. No matter how high the value is, if you don’t make a good move, you will be useless. However, if someone really practices it to perfection, the scene will probably be as lively as the old Beijing fried noodles.

    At this point, you may ask: “Is this Qianzhi reliable?” I can only tell you that the wind has come, but Qianzhi has not appeared, and there are more complicated things to come.

    No one can say whether this character will be praised by players or buried in the ground after it goes online. But one thing is certain: the planner is serious this time.

    If you still have raw stones on hand, it is recommended not to spend them in a hurry – this Qianzhi is probably not a character that can be easily let go.

  • Genshin Impact Version 5.1 – Breaking the Rules, Turning the Page into the Future

     

    Here, Genshin Impact is being updated again. I’ve heard that the new character Sinoning will be on the scene in version 5.1. What rock system, what one-handed sword, anyway, it sounds a bit complicated, who cares? In fact, everyone knows that these new characters are like small stalls on the street, changing the soup but not the medicine, just like the candies eaten during the Chinese New Year – new packaging, original flavor.

    But to be honest, Sinoning, I’m a little interested in her. Don’t look at her like this, just hearing the name, you know she’s a bit deep character. She’s a rock system, can reduce the enemy’s elemental resistance, and her one-handed sword skills are also acceptable. Otherwise, how can I say that the settings of these game characters always give people a feeling of “she seems to be very powerful, but you still don’t know how to use her”. Today she can reduce resistance, tomorrow she will replenish your blood, and the day after tomorrow she may be a shield-breaking monster. It seems that there is always a lack of a clear menu, which makes people confused.

    As for the update of the card pool, this time there is a new character, Sinoning, and an old friend, Chiori. Originally, I didn’t have any special feelings about Chiori. After all, I have seen her two or three times. Such a repetitive character really can’t arouse the excitement of us “old players”. But Sinoning is different. She gives people the feeling that she is like a hidden master, hiding in a corner that you can’t see. When she suddenly jumps out, it’s like the old lady at the entrance of the village suddenly tells you that you can use less oil in cooking today, but you find that it tastes really good after eating. Delicate and unobtrusive.

    However, Nashida and Walnut in the second half of the card pool, I have to admit that these two are a bit eye-catching. If you say that they are like the old four dishes in home cooking, it’s not an exaggeration. Who doesn’t like Walnut’s lively energy? It’s another fire character. The violent level of playing is simply irresistible. I can’t help wanting to give her a bite. However, Nashida’s reprint this time makes me feel a little complicated. She is so smart and has endless wisdom, but you always feel that she lacks something, not as real as Sinoning.

    Speaking of skills, although Sinoning’s skills are not particularly complicated, her “Cat Hunting Rhythm” is quite interesting. Like a fast-running leopard, she suddenly jumps up and pounces on the enemy, which is so efficient that it makes people feel a little refreshed. Each of her moves seems simple, but it is precisely the details that require attention to detail. A character like this may not have any particularly obvious advantages in the early stage, but once you use it right, her role will be revealed little by little – just like the lazy cat in your home, which always brings you back a lot of mice.

    When we play this game, what is not important? The important thing is to eventually find a partner who will accompany you to conquer the world and cross mountains and ridges. Sinoning is like a friend who silently supports you when you need it – you don’t need her to stand up in a big way, but she will give you more choices at critical moments and provide you with a solid backing.

    Besides, who doesn’t want something practical in this game? For example, the Treabar platform is said to be a good place where you can save some ore and improve your characters in the game. Everyone says that this place is reliable. As for people who play games, it is a complex emotion – they want to upgrade, want to be stronger and faster, but don’t want to be too dependent. Characters and platforms like this are to help you in this process. Even if there is no large-scale movement, everyone can slowly accumulate and gradually see the results.

    But to be honest, when we see these new characters appear, we still feel a little lonely. After each update, we have to invest in it and level up and brush dungeons again. Just like some small things in our daily life, we can never finish them, and there are always new things waiting for you to deal with. These updates are like a metaphor of life – you may not care much at first, but slowly you will find that it affects your view and attitude towards things, and even changes part of you.

    All in all, the characters updated in version 5.1, whether it is Sinoning, Chizhi, or even the re-engraved Nashida and Hutao, are all designed to bring new experiences to players. Maybe these new characters are not perfect, but at least they can help you find a little bit of yourself in your repeated attempts, and find the partner who stands shoulder to shoulder with you in the troubled times.