Treabar

Blog

  • Genshin Impact Version 5.1 – Breaking the Rules, Turning the Page into the Future

     

    Here, Genshin Impact is being updated again. I’ve heard that the new character Sinoning will be on the scene in version 5.1. What rock system, what one-handed sword, anyway, it sounds a bit complicated, who cares? In fact, everyone knows that these new characters are like small stalls on the street, changing the soup but not the medicine, just like the candies eaten during the Chinese New Year – new packaging, original flavor.

    But to be honest, Sinoning, I’m a little interested in her. Don’t look at her like this, just hearing the name, you know she’s a bit deep character. She’s a rock system, can reduce the enemy’s elemental resistance, and her one-handed sword skills are also acceptable. Otherwise, how can I say that the settings of these game characters always give people a feeling of “she seems to be very powerful, but you still don’t know how to use her”. Today she can reduce resistance, tomorrow she will replenish your blood, and the day after tomorrow she may be a shield-breaking monster. It seems that there is always a lack of a clear menu, which makes people confused.

    As for the update of the card pool, this time there is a new character, Sinoning, and an old friend, Chiori. Originally, I didn’t have any special feelings about Chiori. After all, I have seen her two or three times. Such a repetitive character really can’t arouse the excitement of us “old players”. But Sinoning is different. She gives people the feeling that she is like a hidden master, hiding in a corner that you can’t see. When she suddenly jumps out, it’s like the old lady at the entrance of the village suddenly tells you that you can use less oil in cooking today, but you find that it tastes really good after eating. Delicate and unobtrusive.

    However, Nashida and Walnut in the second half of the card pool, I have to admit that these two are a bit eye-catching. If you say that they are like the old four dishes in home cooking, it’s not an exaggeration. Who doesn’t like Walnut’s lively energy? It’s another fire character. The violent level of playing is simply irresistible. I can’t help wanting to give her a bite. However, Nashida’s reprint this time makes me feel a little complicated. She is so smart and has endless wisdom, but you always feel that she lacks something, not as real as Sinoning.

    Speaking of skills, although Sinoning’s skills are not particularly complicated, her “Cat Hunting Rhythm” is quite interesting. Like a fast-running leopard, she suddenly jumps up and pounces on the enemy, which is so efficient that it makes people feel a little refreshed. Each of her moves seems simple, but it is precisely the details that require attention to detail. A character like this may not have any particularly obvious advantages in the early stage, but once you use it right, her role will be revealed little by little – just like the lazy cat in your home, which always brings you back a lot of mice.

    When we play this game, what is not important? The important thing is to eventually find a partner who will accompany you to conquer the world and cross mountains and ridges. Sinoning is like a friend who silently supports you when you need it – you don’t need her to stand up in a big way, but she will give you more choices at critical moments and provide you with a solid backing.

    Besides, who doesn’t want something practical in this game? For example, the Treabar platform is said to be a good place where you can save some ore and improve your characters in the game. Everyone says that this place is reliable. As for people who play games, it is a complex emotion – they want to upgrade, want to be stronger and faster, but don’t want to be too dependent. Characters and platforms like this are to help you in this process. Even if there is no large-scale movement, everyone can slowly accumulate and gradually see the results.

    But to be honest, when we see these new characters appear, we still feel a little lonely. After each update, we have to invest in it and level up and brush dungeons again. Just like some small things in our daily life, we can never finish them, and there are always new things waiting for you to deal with. These updates are like a metaphor of life – you may not care much at first, but slowly you will find that it affects your view and attitude towards things, and even changes part of you.

    All in all, the characters updated in version 5.1, whether it is Sinoning, Chizhi, or even the re-engraved Nashida and Hutao, are all designed to bring new experiences to players. Maybe these new characters are not perfect, but at least they can help you find a little bit of yourself in your repeated attempts, and find the partner who stands shoulder to shoulder with you in the troubled times.

  • “Honkai Impact 3: Sky Railway” version 2.7: Silence and flames of intertwined fate

    In the 2.7 version update of “Honkai Impact 3: Star Dome Railway”, two new characters, **Sunday** and **SP Tingyun**, are like two meteors of fate, streaking through the sky of the game, bringing unprecedented shock to this virtual interstellar continent. They are not just new characters in the game, but also emotional portrayals that touch the depths of people’s hearts, reflecting the struggles and precipitation deep in everyone’s heart.

    The appearance of **Sunday** seems to be a gentle but inevitable encounter. He is the kind of character who only appears when he is alone and thinking late at night, taciturn, with an unspeakable sadness and helplessness. Sunday was not born to save the world, his existence seems to be to find something he has lost in this virtual interstellar. He is an imaginary attribute character with the same fate, lonely and profound. His heart is full of complex emotions, these emotions are not simple joys, anger, sorrows and joys, but pain and expectations deeply intertwined with fate. He is like a confused traveler, walking slowly and heavily in the river of fate, as if every step is questioning whether he has taken the wrong path.

    Sunday’s story is not so easy to tell. It does not have those heroic glories, nor decisive victories. On the contrary, his strength comes from a deep understanding of life, the kind of calmness and tenacity that can only be understood after years of polishing. There seem to be countless cracks on his body, and each crack is deeply rooted in the pain he has experienced. These cracks did not make him numb, but made him understand more clearly: the meaning of life is often hidden in those moments that we have not noticed.

    In contrast to Sunday’s loneliness and depression, **SP Tingyun** returned. Her appearance was like a ball of fire, which set off an uncontrollable wave under the calm surface. Tingyun’s return was eager, but full of unspeakable restraint. She is a fire-attributed character with a vain destiny, and the breath of fire is burning her inner desires and pain all the time. Her flame is neither burning anger nor a quick-success-oriented decision, but a deep power, an emotion that is suppressed deep in her heart and cannot be easily released.

    Tingyun’s return is not only to bring a climax of a battle, but also a journey of self-cognition and self-salvation. In this journey, Tingyun is no longer the high-ranking character. Every battle and every reaction of hers is full of the complexity of human nature. She has experienced many difficulties, and every struggle makes her heart more stable and profound. Unlike Sunday, Tingyun’s flame is not to destroy everything, but to wash away the shadows that once suppressed her, so that she can see herself again and find the long-lost peace and strength in her heart.

    The moment she returned to this world, it seemed as if she was reconciling with her past, or saying goodbye to all the emotions that she had never let go. She was not in a hurry to change anything. She just stood there quietly, using her seemingly indifferent eyes to see through the hypocrisy and complexity of this world. Tingyun’s flame is no longer a direct attack, but a kind of inner self-cognition. She found her true power in this virtual world.

    The two characters, Sunday and Tingyun, are like two intertwined lines of fate. On the surface, they seem to have nothing to do with each other, but in fact they are deeply entangled. Sunday’s loneliness and powerlessness, and Tingyun’s restraint and intensity, meet at a certain moment. They are interdependent, but independent of each other. The story behind each character is just like the true portrayal of each of our hearts – some people choose to obey fate, some choose to resist, and some people are constantly struggling and confused, looking for their own direction.

    “Honkai Impact 3: Star Dome Railway” version 2.7 is not just an ordinary update, it is an emotional sublimation and a profound exploration of the fate of the characters. Sunday and Tingyun symbolize everyone who is confused and tired on the road of life. Perhaps at some point, they can see each other and themselves. Just like the name of the game – Star Dome Railway, it symbolizes an unknown journey. In this journey, we cannot predict the road ahead, but only by going on can we find our own answers.

    In this update, we not only get new characters in the game, but also experience a spiritual baptism with these characters. Whether it is the loneliness and silence of Sunday or the flames and struggles of Tingyun, they all make us rethink the relationship between human nature, fate and the heart.

     

  • Card drawing and life——secret expectations and protection

    In the evening of early September, the weather gradually turned cooler, and the leaves of the sycamore trees outside the window began to turn slightly yellow. I sat at the table, my fingers lightly touched the screen of my mobile phone, and the game interface flashed on the screen-the 4.0 version of Genshin Impact had just been launched, and the character named Zhongli appeared again. This was the news I had been waiting for for a long time.

    Unconsciously, such waiting seemed to have become a habit. Every day after returning from a busy day, I opened the game and entered the card drawing interface, and there seemed to be a small expectation growing quietly in my heart. Zhongli, the guardian of the rock wearing an ancient robe and with a calm demeanor, was very much like the old shop owner on the streets when I was a child, silent and reliable.

    The process of drawing cards is long and complicated. The guaranteed mechanism in the game tells me that in theory, I should be able to draw Zhongli in about 80 to 90 draws. But how can there be so many theories in life? In reality, if you draw another five-star character, the probability has to be recalculated, which often requires 150 or even 180 times.

    I silently calculated that recharging requires two 6480 yuan Genesis Crystals, and if I am unlucky, it will even be three. Three hundred dollars is neither a small amount nor an unbearable burden in modern life. But behind this expense, there is a silent struggle and expectation in the heart.

    The mobile phone screen is on, and different colors are jumping on the interface. Ten draws, twenty draws, thirty draws, every time you press the “draw” button, it is a sense of ritual. It’s like traveling through the cracks of time, chasing a vague shadow.

    I think of those years, the streets of my hometown, the wind on summer nights, and the homemade pickles sent by the aunt next door. Life is so trivial, and the expectations brought by the game are like a touch of bright color, gently integrated into it.

    Sometimes, the result of the card draw makes me smile slightly; sometimes, it makes me sigh helplessly. That feeling is very much like waiting for someone’s news. Knowing that you may be disappointed, you still can’t help opening your phone again and again.

    The recharge process is complicated, and every payment is like another compromise with reality. The three repeated recharges reminded me that games are not just entertainment, but also a secret ritual of modern life. The figure of $300 came to my mind, a little heavy, but real.

    I also heard that some players choose a more convenient way to recharge, but that way always carries a bit of shadow, which makes people wary. After all, the edge of life is complicated and unpredictable, and it is better to take the right path than to take risks.

    Zhongli, this character is not only a guardian in the game, he is more like a symbol of power in life. That persistence and calmness make people find a trace of tranquility in the hustle and bustle of modern times.

    I looked out the window, the night was getting darker, and the street lights stretched the shadows of the fallen leaves long. I thought to myself that the process of drawing cards is just like these leaves that keep falling, light or heavy, but they are all floating gently in time.

    Games and life are like two parallel worlds. Here, I look forward to the arrival of the guardian; there, I continue to face the triviality and impermanence of life. Perhaps, it is this interweaving that makes every card draw worthwhile.

    This card drawing is like a secret expectation of modern life, flowing quietly through the years.

  • Teyvat 4.1 new chapter: tea-tasting life in water, fire, ice and wind

    Every time the world of Teyvat is updated, it is like bringing a cup of new tea to an old friend. The 4.1 version properly blends the old and new elements, with new characters appearing and old friends returning, which is quite gratifying. If this game is compared to a pot of aged tea, then Neuvilet is the newly added spring, which is both fresh and sweet, leaving a lingering fragrance in your mouth.

    Let’s talk about this new water character first, who has a bit of spirit. Water is soft in nature, but it can wear away stones, which may be his greatest charm. When operating, it feels smooth, like flowing clouds and water, which makes people can’t help but look at it a few more times. His skills are not dazzling, but they are practical, just like a green bamboo in the garden that does not show off. A gentle shake will bring a breeze to the whole garden. The lineup that matches it is also exquisite. The extension of the water element and teamwork are the rhythm and rhythm of this battle.

    Hu Tao, a fire character, is completely different. Fire symbolizes warmth and passion, just like a pot of boiling black tea, which is passionate but needs to be restrained. Her gameplay emphasizes both control and burst, much like a dancer, with neat and rhythmic movements. If the operation is not careful, it will burn too much and make oneself dirty; if the operation is proper, it can be fully fired and full of vitality. Such a character not only tests the player’s skills, but also tests their patience and sense of rhythm.

    Let’s talk about Roy Asley of the ice system. He has a calm personality, like a cup of aged Pu’er tea, with a mellow and restrained taste. His skills emphasize control and defense, which can protect the master and delay the fighter. Although the coldness of ice is not ostentatious, it is very penetrating. If used well, it is like a touch of warmth in the cold wind, which makes the enemy at a loss. His existence brings a sense of security to the team and adds a bit of rationality and order to the battle.

    As for Wendy, the representative of the wind system is the breeze in this pot of tea. Light, agile, and unpredictable. The power of wind lies in its freedom and change, and its ability to control the situation is strong, just like a conductor, controlling the rhythm and atmosphere of the entire battle. Playing with it is like conducting a symphony, sometimes gentle, sometimes passionate, and intoxicating.

    These four elements, water, fire, ice and wind, each have their own style, but they complement each other. They are like a pot of tea that is just right, with different flavors, but together they constitute the scenery of the big teahouse in Teyvat. In this tea party, players not only taste their own unique flavors, but also feel the overall harmony and rhythm.

    In addition, the Treabar platform can be described as a tea shop in a teahouse. Whether you want to buy tea or change new tea sets, it provides a convenient and fast channel. There are various payment methods, which are safe and secure, so you don’t have to worry about fake tea and inferior products. If you want to get started quickly in this 4.1 version and take fewer detours, this is undoubtedly the best place.

    On September 27, the version was officially launched, and the new map and new plot were launched together, as if adding a few new leaves to this pot of tea. The new environment and story not only enrich the game experience, but also inspire players to explore the world of Teyvat more deeply. After all, tea is not only a taste, but also a feeling and a story.

    In short, this update is like an exquisite tea tasting party, with both fresh taste and traditional charm. Knowing how to grasp the rhythm of water, fire, ice and wind, and being good at using platform resources, you can enjoy the beauty of this tea feast. I hope that every friend of Teyvat can make his own cup of good tea in this new version.

     

  • Genshin Impact: Fontaine Daily Commission and Reputation System – Notes from the City of Water

     

    I came to Fontaine,
    on a windless morning.
    A gray flag hung in the sky,
    The city whispered in the water, like a suppressed poem.

    This is a country shaped by trial,
    but the real trial is never to judge others,
    but to judge oneself.
    Every step must pass the eyes of the system,
    and every word echoes in the transparent court.

    I walked through the streets,
    The slabs were damp and dust-free.
    People passed by without speaking.
    They are like machines, but they nod occasionally.

    I don’t know why I came here.
    Some people say it’s a mission, some people say it’s a reward,
    but I believe more –
    to find the truth that no one has said.

    – Daily commission.
    Four things every day, like fragments of fate.
    You take them, just like taking silent orders.
    No emotions, no choices.
    You just execute.

    But one evening,
    when I repaired the mechanical arm of a speechless engineer,
    he smiled slightly.
    There was no happiness in that smile,
    only a brief light of “being understood”.

    At that moment, I remembered him.
    Like remembering a word.

    —

    I know that reputation is a currency.
    But it is not money.
    It can’t buy food, but it can buy trust.
    It is the city’s tacit consent to your existence,
    and the silent seal after your day-to-day work.

    Every time you level up, someone will tell you:
    You can make more complex devices,
    You can open locks, repair bridges, and have certain rights of passage.

    But no one will tell you——
    whether these things can really bring you closer to freedom.

    I began to doubt the logic of all this.
    Is reputation just a carefully designed domestication?
    Let us be between control and being controlled,
    get used to becoming part of the system,
    and forget——we are originally travelers.

    —

    This world doesn’t like blank space.
    So we fill it with tasks.

    It needs order, so we obey;
    It gives rewards, so we are grateful.

    But one day, I stood on Marine Avenue,
    and the rain fell from the sky, silently.
    I suddenly realized that
    what really changed me was not the value called “reputation”,
    but the faces of the people I saw in commissions again and again.

    Those faces, strange, tired, sometimes gentle,
    sometimes just raised their eyelids briefly, like saying goodbye.

    I want to remember them.
    Because this world is too easy to forget.

    —

    “As if the light rain falls for no reason” —
    The name of the task is like a line of poetry, but it lacks the tenderness of poetry.

    After completing it,
    you unlock not only the system, but also a history —
    a myth about justice and judgment hidden under the water.

    But in these myths,
    who is the hero and who is the sinner?
    The boundary is as blurred as the fog on the lake,
    everyone is trapped in his own judgment.

    Including me.

    Someone asked me:
    “Why are you still doing these tasks?”

    I can’t give an answer.

    Maybe I’m just waiting for a word,
    waiting for a person,
    waiting for a lifestyle that is no longer empty.

    Perhaps this is the dilemma designed by Fontaine.
    It doesn’t force you to choose,
    but makes you accustomed to accepting.

    Just like we have walked through too many cities,
    in the end we are not forced to stay,
    but forget the reason for leaving.

    —

    I wake up every morning,
    open the task panel,
    four small things,
    no poetry, no gunshots,
    only life.

    But in the gaps of life,
    I sometimes think of a country far away,
    a name that has not yet been named on the map,
    may not be famous there,
    but there is a more real “me”.

    And that me,
    is still on the way.

    —