It is a nonlinear ability. Sunday’s skills are like light seeping out of a crack, opening a thin crack in the framework of reality, freeing teammates from the destined action chain and advancing to an unprecedented moment. And this advancement is not a question of “fast” or “slow”, but a complete time disorder. He manipulates not the surface time, but the deeper rhythm logic under the combat mechanism.
His name is just a code name, a symbol. His “imaginary number” attribute is not just a setting label, but a metaphor: the space he exists in itself is non-material and non-concrete. The function he undertakes in the “cooperation” destiny is far beyond the definition of general support. He does not give “help”, but uses himself to do a paradoxical experiment, folding his own action order into the trajectory of others, thereby triggering a series of “other-enhancement” chain effects.
When we analyze his light cone configuration, we should start from a structural perspective. The mechanism of the light cone “flight back to the earth” is to trigger damage increase by superimposing the “holy chant” state. The significance of this state is not a simple gain, but a reconstruction of power: a new system is constructed by Sunday, which allows the occurrence of damage to get rid of the original cooling, waiting, and round restrictions, and obtain a non-dominant but highly driven rhythmic expansion in the layers of “chants”. He creates the illusion of “round nesting”, which is exactly how he suppresses the tyranny of time.
The replacement light cone is also not meaningless. “Dance! Dance! Dance!”, “But the battle is not over yet”, “Past and Future” – these names themselves constitute a language collage that fights against the rules of reality. Their mechanisms work together on one core: destroying the established battle timeliness and creating an action layer “before the present”. Sunday becomes a crack point on the battle timeline, and from this crack point, the kinetic energy of the entire team is abstractly enhanced.
His relic “Priest Retracing the Journey” four-piece set, on the surface, seems to be only a linear enhancement of critical damage, but in fact it embodies a philosophical proposition of “acting on others rather than oneself”. His speed is to reach the “activation point” faster; the transfer of critical damage enhancement is an active stripping of his own boundaries. He does not want to be “powerful”, but to become a “powerful” medium.
We must be wary of the definitions of traditional attributes. For Sunday, speed is no longer a question of numerical priority, but a symbol of order control. He uses speed to intervene in the underlying logic of the battle rhythm, critical damage to strengthen the “result of others”, and life and defense to maintain the minimum boundary of the support role. This configuration is a kind of completeness in incompleteness, and an attempt to build order in logical loopholes.
Sunday’s position in the summoning team is more like a “spiritual catalyst”. He is not a synergy, but a descent. He does not conspire with the summoned creatures, but uses his own time scheduling power to give the summoned creatures a kind of “multiple executability”, that is, they can complete two actions in the same round and complete impossible sequence rearrangement. And this is exactly the experimental field for Sunday to construct the “action superposition” structure. He and Jingyuan are not a collaborative relationship, but a mutual condition in a behavioral schema.
In the overload team, he is the driver and the main frequency oscillation point in the structure. He doesn’t output, but he is the root of output. He leverages a huge burst with very little consumption, and creates the highest skill cycle efficiency with the lowest action point. He uses the seemingly mild mechanism of “recovering energy” to manipulate the output cooling structure of the entire team, allowing the main C to achieve the rational limit of continuous attack.
He does not belong to the physical meaning of “role pool”, but to the category of “system hidden variables”. He exists in the team, but never becomes the visual center. This marginal setting is itself the biggest irony of “functional roles” in Star Dome Railway. He should be a support, but he rewrites the output logic in the name of support; he should obey the rhythm, but he disrupts the stability of the system in the name of rhythm.
He is a character without image. There is no visual label, no personal charm. He can’t even resonate emotionally. But because of this, he becomes part of the system. It is the kind of underlying circulation mechanism that you cannot perceive but cannot miss. You think you are operating him, but in fact he is using your choice to perfect his final arrangement of the team structure.
Sunday is not the role you are used to understanding. He is a structural experiment, a practical attempt to “destroy the core from the edge”. His cultivation is not as simple as stacking up the numbers, but how to deeply implant him into your tactical logic and let him spread to the global structure like a lesion. He is both an auxiliary and a rewrite of the meaning of auxiliary.
Treabar is not only a means of obtaining resources, but also a system externality insertion. Through it, you get not only light cones and relics, but also the right to intervene in the combat mechanism and accelerate the rotation of the structure. In this sense, the appearance of Sunday is an irreversible system erosion.
He is not a character. He is a structure, a whispered protest about time and domination.